A breathing megacity after the rain

Original prompt

Format: 9:16 vertical, 15 seconds, cinematic, ultra-realistic, massive subjects, high-detail, no text, no logos.
0–3 sec: Nighttime futuristic city street after heavy rain. Camera starts extremely low at street level, reflections of skyscrapers stretching across the wet pavement. Everything feels enormous. Suddenly, the entire street subtly moves as if the city itself is breathing—pavement rises and falls by a few centimeters. Cinematic fog drifting between buildings, realistic rain droplets, deep atmospheric sound.
3–6 sec: Camera rapidly pushes forward between towering buildings. Windows across hundreds of floors flicker simultaneously in a wave, travelling upward like a heartbeat. The camera tilts toward the sky as clouds begin rotating unnaturally above the city.
6–10 sec: A gigantic glowing geometric structure slowly emerges from behind the skyscrapers—not a creature, not a spaceship, something completely unfamiliar. It is impossibly tall, dwarfing the buildings. Its surface looks like black glass with thin luminous cracks flowing across it. Camera keeps pulling back to reveal its enormous scale.
10–13 sec: The structure suddenly opens vertically like a colossal doorway. A blinding white-blue light floods the entire street. Cars, rain and loose debris react to the powerful pressure wave. People appear only as tiny silhouettes far below, emphasizing scale.
13–15 sec: Smash cut to an extreme close-up of one tiny raindrop falling in slow motion. Inside the droplet, the entire gigantic city and mysterious structure are reflected perfectly. The droplet hits the pavement—CUT TO BLACK.
Visual style: premium theatrical science-fiction cinematography, physically realistic lighting, volumetric fog, wet reflective surfaces, dramatic scale, realistic physics, subtle handheld camera movement, anamorphic cinematic depth, high dynamic range, extremely detailed environments, natural motion blur, realistic reflections, powerful contrast, immersive atmosphere.
Camera: aggressive cinematic push-ins, low-angle scale shots, rapid perspective transition, controlled handheld movement, final macro shot.
Sound design: distant thunder, rain hitting pavement, deep sub-bass rumble, building vibration, rising atmospheric tone, enormous pressure-wave impact, sudden silence on the final cut.
Important: Keep the main subject large and dominant inside the vertical frame, avoid tiny distant compositions. No recognizable existing movie designs, characters, franchises, logos, text or copyrighted elements. Original concept and original visual design.

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